Adding Emotion to Your Writing without the Melodrama by Amy Michelle Carpenter and Angela Woiwode Many writers struggle with making their writing shine and adding emotion without making it melodramatic. It can be tempting to rev up the drama in every scene to ensure...
by Emilee Newman Bowles and Lindsay Flanagan The query letter. It’s your audition, your one shot at piquing an agent’s or editor’s interest so they want to see more. And it either thrills you to the tips of your fingers to write it or scares you to your very core....
by Emilee Newman Bowles with Angela Eschler, Adrianne Montoya, and Lindsay Flanagan Have you ever thought about time travel? What if we said it’s possible—well, sort of. We don’t have a DeLorean, and we’re not sure falling through Stonehenge can take you back in time,...
by Brian Halley with Mike Nash Book-cover design is about getting the reader’s attention (hooking them) and then reeling them in with promises about what transformative and/or emotionally and intellectually exciting experiences they’ll get from the book. If it’s...
by Brian Halley with Mike Nash Book-cover design is about getting the reader’s attention (hooking them) and then reeling them in with promises about what transformative and/or emotionally and intellectually exciting experiences they’ll get from the book. If it’s...
by Marla Buttars Titles, as we mentioned in the previous blog about fiction titles, are an important marketing tool. Both nonfiction and fiction titles serve as an immediate hook for readers searching for certain content, whether it be a good romance, a book about the...
And You Can Do It Too! by Rachelle J. Christensen I just returned from a fabulous writing retreat where I killed my writing goals, and I can’t wait to tell you about the simple methods I used to write 25,000 words, or roughly 120 double-spaced pages, in two and a half...
